Mastering & Creating Your Last Mix Like the Pros (Mastering Process).

Common areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Equalization: Sometimes you'll want to change the eq or compression on a mix after you have actually done the final mix. Or you may have 10 tunes mixed by three various engineers in 5 various studios.

Each song's eq may appear ideal by itself, but if you sequence them together, unexpectedly one tune sounds too brilliant (or too dull ...). Adjusting the eq can even whatever out. Idea # 1: keep in mind that any eq changes to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Pointer # 2: if you're uncertain about an eq decision throughout mixdown, understand that it's easier to cut lower frequencies in mastering than to boost them, and much easier to increase higher frequencies than to cut them. Compression: In mastering, this is utilized not just to control a mix or to include character, but also to "print" or send out as much level to the master as possible without clipping the signal. This can practically feel like a competitors for who has the loudest cd (" my record sounded fantastic until I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers should stabilize level with sonic stability. Levels: Ideally, a listener can play your record and not need to get up to adjust the volume. This is addressed in mastering, after the record has actually been sequenced. Only then can you really understand how levels relate to each other as one tune ends and Trap Instrumentals the next begins.

Spacing & Crossfading.

Spacing: there are different viewpoints as to how one should approach the spaces put in between tunes on a record. Final suggestion: you might be inclined to master the same recordings that you blended, whether it is for monetary reasons, creative factors, or simply because you can. We highly advise that you get someone else to master your job.


Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Or you may have 10 tunes mixed by three various engineers in 5 different studios.

Each song's eq might appear perfect by itself, but if you sequence them together, unexpectedly one song sounds too bright (or too dull ...). Idea # 1: keep in mind that any eq changes to your stereo mix affect the whole mix - if you desire to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to inspect how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, however likewise to "print" or send out as much level to the master as possible without clipping the signal.

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